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Rome in 66 A.D. – the year in which The Uncertain Hour is set – was a seething cauldron of resentment, intrigue and repression. It was the twelfth year in the reign of the emperor Nero, whose cruelties, arbitrariness and mental instability had grown all too familiar to the weary and fearful citizens of the empire. The decade had begun badly with the rising of the British tribes under their warrior queen Boudica, and setbacks for the Roman armies in Armenia.
Bad turned to worse. In 62, having already killed off his mother Agrippina and his brother Britannicus, Nero rid himself of the two most stabilizing influences in his government: the Praetorian prefect Sextus Burrus, whom he killed with a poisoned throat lozenge, and his own childhood tutor, the philosopher Lucius Annaeus Seneca. Thenceforward, the emperor was counseled chiefly by the murderous thug Tigellinus and his lackeys. Outrage and scandal ruled the day. In 63, the Roman Gymnasium was struck by lightning and destroyed – an evil omen. In 64, Nero scandalized all Rome with his stage debut in Naples, winning an award for his performance of “Niobe”. The theater collapsed after the performance. That same year, the entire Roman fleet foundered on the Tyrrhenian shore above Naples. Bad omens were seen everywhere – lightning, comets, the birth of two-headed animals. And then, on 19 July, fire broke out near the Circus and quickly spread through the narrow streets of the ancient city along the flanks of the Palatine and Caelian hills. Four of Rome’s 14 districts were totally destroyed. Rumors abounded that Tigellinus had set the fire to make room for Nero’s monumental palace, the Domus Aurea, the construction of which was begun almost as soon as the flames were doused. To deflect the blame, Nero scapegoated the Christians, who were crucified and burned by the thousands to serve as nighttime torches illuminating the city’s avenues.
“He spent his days in sleep, his nights in attending to his official duties or in amusement, by his dissolute life he had become as famous as other men by a life of energy, and he was regarded as no ordinary profligate, but as an accomplished voluptuary. His reckless freedom of speech, being regarded as frankness, procured him popularity. Yet during his provincial governorship, and later when he held the office of consul, he had shown vigour and capacity for affairs. Afterwards returning to his life of vicious indulgence, he became one of the chosen circle of Nero's intimates, and was looked upon as an absolute authority on questions of taste (arbiter elegantiae) in connection with the science of luxurious living.” That is the situation at the opening of The Uncertain Hour.
Petronius Martialis Melissa Seneca Petronius Turpilianus
Just west of Naples is a region known as the Campi Flegrei (from the Greek for “Burning Fields”), an area of intense and ongoing volcanic activity. It was first settled by the Greeks in the ninth century BC, conquered by the Etruscans, and eventually ruled by Rome. By the first century BC, its principle villages – Bauli (modern Bacoli), Cumae (Cuma) and especially Baiae (Baia) – had become the “East Hampton” of ancient Rome, their shores lined with monumental imperial and aristocratic villas, to which all Roman society flocked in the summer and holiday months. The Roman fleet wintered in the nearby harbor of Misenum (Miseno).
Further reading The best ancient sources, and a lot of fun to read,
are Tacitus’s Annals of Imperial Rome and Suetonius’s
Twelve Caesars (although background material for The Uncertain
Hour is confined to the first six). Two classic novels of first-century Rome that should
not be missed are Quo Vadis by Henryk Sienkiewicz and I,
Claudius by Robert Graves. Robert Harris (Pompeii) and Wallace
Breem (Eagle in the Snow) are two quite readable contemporary
historical novelists of ancient Rome.
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